Postgraduate Workshop & Conference: Media Archaeology and Technological Debris
Thursday, June 20 – Friday, June 21, 2013, Goldsmiths, University of London

This workshop aims to bring academics and PhD students together to
discuss emerging research projects on the field of media studies. It
means to combine the thriving approach of media archaeology with the
growing environmental concerns about technological debris, emphasizing
the complementary character of these topics in the construction of a
material understanding of media practices=92 past, present and future.
We expect to gather a number of emerging investigations that can shed
new light over the socio-political, economic, cultural, technological,
material and aesthetic dimensions of the continuous phenomena of
novelty and obsolescence of media systems. In doing so, we also hope
to create conditions to examine the systems of relationship formulated
around these topics, paying particular attention to the regimes of
value that define media objects either as museum artifacts or as
rubbish in different global/local contexts (such as Europe and Latin

10-15 PhD students will be selected to participate. The workshop
itself will last for two days: The first day will be composed of
closed reading groups in which the seasoned researchers will act as
respondents and mediators for the presentation of the participating
students, while the second day will be a small conference open to the
public. As such, the workshop intends to create a platform for
exchanging ideas and research methods upon this interdisciplinary

The event is being organized by students and graduates of Goldsmiths’
Department of Media and Communications, and is sponsored by
Goldsmiths’ Graduate School.

Confirmed speakers: Sean Cubitt (Media & Comms, Goldsmiths); Graham
Harwood (Cultural Studies, Goldsmiths); Jennifer Gabrys (Sociology,
Goldsmiths); Jussi Parikka (Media & Design, University of
Southampton); Gabriel Menotti (Audiovisual, UFES); and people from
Access Space (Sheffield).

Possible themes include:
– archaeological and anarchaeological research
– the repurposing of old devices (for fun & profit & art)
– programmed obsolescence and the temporality of materials and technologies
– precarious technical milieus
– artifact materiality and value
– media museography and historiography
– transnational contexts for zombie media
– industrial media and environmental hazards
– practices and economies of recycling technology
– electronic recycling and archiving of technological artifacts
– qualities, histories and applications of media systems and media ecologies
– global and local economic forces in cycles of innovation and decay

To apply, please submit a text document containing a title, a brief
description of your project (no more than 250 words), and a brief
biography to by Sunday, April 21, 17:00 GMT.

For more information, see: