The visual culture of post-disaster high water marks
f you look at enough photographs of disasters, you will see people posing with high water marks. It is a genre of photography onto itself: over and over, they will point to the mark, put their bodies in front of the mark, or photograph the high water line alone. This post explores the possible roles that the visual culture of post-disaster high water marks play, especially given the prevalence of the genre across disasters, geography, and time.