Questions arising from discards and ‘An Inquiry into Modes of Existence’

In effect, what I’m asking is what happens when we follow the ‘side-effects’ or discards of industry (in the literal and more metaphorical sense)? Do we bump into ‘collateral realities’ (Law, 2009) of Latour’s composed world? Do we arrive at the fractiverses of John Law (2011)? Or something else altogether? Or not at all?